Tuesday, January 7, 2014

Ranking the Anime of 2013 that Didn't Suck

The 2013 year of anime was a rather interesting one for me. Reason being that it's the first full year I've spent actually watching episodes of stuff the day the subs come out. It also threatened to be the last one since the start of the year felt so bland to me that I only managed to latch on to a couple of non-sequels that quickly turned out to be pretty sucky as well. That said, the year managed to pull up it's bootstraps more and more towards the end and shot out some really memorable titles. For the sake of this list though, since it's my very first yearly roundup , I'll include everything that I saw and dug regardless of whether or not it started in 2013, just so long as it had episodes airing this year.

#13 GATCHAMAN CROWDS I could sum up my feelings on this show, it would be "nice try". Easily the most culturally relevant anime in terms of it's themes today. I still can't help but get the feeling that this show came out a little half baked. There's the lead in Hajime, who I've got a few bones to pick with despite beingsomewhat amusing. The idea of having an unflappable character who always knows what to say, when to say it and never seems to feel challenged in any sort of way is not an ideal main character. That and her whack ass behavior serves as a one-two punch against much of the show's tension. Toss in weak pacing towards the end and you've got something that under-performed quite a bit. That said, I still dug the show's impeccable style, soundtrack, and what the show was aiming for was unique enough to squeeze it in on the bottom. A bit sad that it never really came together as well as it could've. Decent show overall but a bit of a letdown. At least we still got . #12 INFERNO COP I made the mistake of not watching this during the dreary Winter season (asides from the kick-ass fall carryovers).Didn't want to close out 2012 with regrets so I marathoned the shit out of this on December 31st. Really not a whole lot to say other then the writing here is the equivalent of two kids having an an imaginary duel on the playground, I should know since I was one the kids who loved doing that. Inferno Cop is essentially an anime I would've been able to write as a 7 year old combine that with card board cut-outs and zero frame-rate animation and you've got a fucking anime people.


I consider myself lucky. In 2012 I made an arbitrary decision regarding which of the 2 Noitamina titles I'd catch up on, the other one being Robotic;s Notes (which I've read some pretty nasty things about this year). Anyhow, I opted to check out this very Gen Urobutchi-ish cop drama and got pretty good time out of it. It's got a number of flaws sure, concept-wise it doesn't make sense sense entirely and it devolves to "Welcome to Gen's Book Club "-Pass much too often. That said, it's action was great, it's story mostly worked (even the ending since it felt about as necessary as the ending to 1984). Overall it succeeds a lot more at being enjoyable then it did at being thought provoking. That and Akane is a pretty cool chick.


Kill la Kill ain't the ZOMG 10/10 ANIMU MASTERPIECE of 2013. It's story stripped of all the fancy flourishes is a pretty run-off-the-mill vengeance based action title. That said, thank god for those neat flourishes. It's action scenes have just enough variety to them to keep from getting stale for now. It's the distillation of the one thing I like most about the folks at Trigger: They make creating anime look FUN. I've still got some bones to pick though. Even though the fights themselves are neat and varied, I'm really hoping that the show will have a few fights that don't include Ryuuko for once (probably not asking for too much here given how this show's been heavily implying that SatsukiXRyuuko alliance). The show could also use a bit more variety in it's soundtrack too, the repeated animation and the fact the show doesn't take breaks from fighting to allow for much character development also hinder it somewhat. Plenty of time to work on those issues though. Really looking forward to seeing whether or not this thing really explodes in scale in it's second half. For now it's gonna have to be content with this #10 spot.



I feel like the only person in the world who doesn't feel much half-disparity when comparing the 2 halves of Blast of Tempest. This year however, the 2nd half did manage to introduce some long-needed levity into the story, while never forgetting to advance the plot at a decent clip. The show also boasts a great operatic soundtrack, consistent animation and good dramatic dialogue. Thing is, the angtsy nature of the first half made this a little difficult to get into, and the second half ended in a way that was a bit of whimper compared to the bang I was expecting. Still, this show is the only anime out their that can boast having Tree on Tree violence, which is pretty neat


Might come regret this decision if the 2nd half doesn't properly justify the *aherm* decisionsthe show decided to undertake mid season. Before episode seven, I found this to be a genuinely funny insight regarding what entails superheroism. Of course I was perfectly aware of the fact that it was more ridiculous with each episode, but even so I was among the many folks who were all "WHOAAA" when they saw that. Now that the shock and awe has finally cleared up, I'm beginning to notice that I'm not watching each episode to see more ofthe characters I dig as much as I am watching to see if it pulls another twist that sets my Twitter timeline on fire. Random ass twists can be fun, but this thing needs to reign itself in a little. It's been fun, but this is hanging on the precipice of disaster.


The fact that this season skimmed over the opening arc and didn't deliver the usual training sequences I dug. There's also Aoki's arc which was mostly awesome but let-down by the fact that his match didn't have a more definitive ending. The Ippo vs Sawamura arc pulled the show back up to it's awesome standards, but the majority of the match was in 2014, Even with that said, it's still Hajime no Ippo, and . Everything I've said about the previous iterations of Ippo still apply.


Teekyuu is comedy where if backed off from even a tenth of the insanity, it just wouldn't work very well. That insanity comes from the ridiculously short run-time of 2 minutes per episode (including the opening). It's essentially a badly animated distillation of banal "slice-o-life" moe stuff with random, surprising elements tossed in every episode. I actually find it to be a pretty good mental challenge, seeing how many mile-a-minute jokes I can catch within the time limit each Sunday. Season 4 can't come soon enough.


From a visual standpoint, this is a title that beats out cool looking stuff Gatchaman Crowds and From the New World. Definitely the most visually happening title to air this year. Narrative-wise, the show required a bit more work for me to fully grasp then any other 2013 anime. Not even my watching of the ONAs from 2011 and 2012 helped when it came to getting on board with this thing (probably added to my confusion if anything). Peel away all the seemingly random sci-fi elements and the rather cool but somewhat alienating cultural aspects (not that these elements detract from the show, they all lend to it's uniqueness) and you've got yourself genuinely heartwarming family affair with a lead character who never fails to deliver smiles one indelicate hammer swing at a time. Steady pacing and the ability to strike comedic tones, serious tones, and everything in-between made this the best artsy-fartsy title I've seen in a long while.


This year of Hunter x Hunter served one major purpose for me: Build the fuck up for that amazing climax coming soon. Said climax is the reason why I'm already labeling 2014 as the year of Hunter x Hunter, but there was plenty, plenty of awesome stuff that went down this year. The Chimera Ant arc is definitely the greatest example of nuanced, mature storytelling in the history of battle shonens (not a ridiculous assertion at all, I mean, just look at the competition). Not gonna lie though, wasn't terribly fun slogging through Greed Island a third time, wasn't that big a fan of the arc when I read the manga or saw the OVAs, but props to Madhouse for nailing the pacing on that one. I was never too big on the training arcs here either, but these are only small complaints nit-picks compared to the awesome feats this thing accomplished this year. Needless to say, if your not watching Hunter x Hunter, your probably watching something worse then Hunter x Hunter.


Here we have a title that managed to recover from a fine, but not thoroughly engaging first year of world-building. As far as taking risks both (dem camera angles) visually and storytelling wise, this came off to me as easily the most accomplished title of the year. It built up, and climaxed/ended in a way that although wasn't super-exciting, managed to fit the series wonderfully. I love myself an unflinchingly brutal tale every now and then, and this really fit that quota for me, something without black/white answers to every question, and it had a very dense and involving plot. This was a title that's far from being in demand, it couldvery well have not been made and who knows? Maybe the animators would have more money for it? This was a gift from the creators at A-1, not a dime-a-dozen cash-grab, something I can't help but worry we won't be getting again.


Can't think of a better way to top this year's best brainfood with this years greatest consistent-thrill-fest.A proper adaptation of Jojo's Bizarre Adventure has been my dream anime ever since my brother got me into the manga years back, so I'll admit this list was rigged from the get-go. This is a series that shits style and imagination. Seriously, who comes up with this random whack-ass stuff? The reason why I opted to leave this show out of 12 Days is because I couldn't come up with one awesome moment to write about over all the other awesome moments. The vampire squirrel? Caesarand Wham's rematch? A Nazi dude blowing himself up to try to kill a super vampire and coming back as a cyborg to try to kill another super-vampire? Pretty much everything Joseph Joestar does? It's ridiculous! And it all just worked, even on such a paltry budget. It's always a pleasure to see a studio understand it's source material well enough to actually make improvements by translating on screen.This was far from the most captivating story this year, but as far as making me agonize the wait between episodes, Jojo was the best.
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